reviews …I could probably write 1,000 words about each play just by listing the performers and describing what I enjoyed about their work. Only, if I did that for "Tenor: The Musical," then I might have to devote an extra 1,000 words to Steven Stein-Grainger as the much-looked-for Morelli, who (unlike, say, Godot) rather quickly shows up. Stein-Grainger's native-seeming Italian accent is practically a performance all by itself. And his warmth and genuine charm are as seductive to the audience as they are to young Max, charged by a wary Saunders with handholding the VIP vocalist from his five-star penthouse all the way into the glare of the footlights. Daily Herald When the famous tenor Tito
Merelli (the invincible Steven Stein-Grainger) gives advice to the nerdy
Max Garber … about how to perform, he croons, "You got to [hear] a
song before you sing it/You got to feel a song before you spring it."
(sic) “The
songs that Andrew Lloyd Webber specializes in sound especially good when
sung by someone such as Steven Stein-Grainger…a trained operatic singer
with an exceptional head voice.” |
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In
“The Phantom of the Opera”: “…Steven
Stein-Grainger as the fatuous tenor Ubaldo Piangi…(who has) substantial
operatic experience, demonstratingonce again that you have to understand
something well to parody it effectively." “…fresh
from the role of Max in Broadway's Sunset Boulevard, portrays the
pompous Ubaldo Piangi with melodious singing and hilarious by-play.” |
In Sunset Blvd. In
the Broadway production of “Sunset Blvd.”: “Steven
Stein-Grainger’s Broadway debut as Max (von Mayerling), Norma (Desmond)’s
director/husband/butler…was fine…suggesting Norma’s and Max’s
previous intimacy with considerable finesse.” |
In
Two River Theater Company’s “The Umbrellas Of “Steven
Stein-Grainger makes a strong and wonderfully empathetic impression as
Aubin, Dubourg and in two other roles.” |
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